Category: Instrumental Series Format: Book & CD Instrument: Saxophone Instrumentation: Alto Saxophone Level: Intermediate Each collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the variation section to accommodate the ranges and unique characteristics of the instruments. Titles are: I Got Rhythm * But Not for Me * Embraceable You * A Foggy Day * Fascinating Rhythm * I've Got a Crush on You * 'S Wonderful * How Long Has This Been Going On * Nice Work If You Can Get It * Someone to Watch Over Me * Strike Up the Band.

Category: Woodwind - Saxophone Duet Format: Book & CD Instrument: Saxophone Level: Easy to Intermediate For Saxes Only! 10 Jazz Duets for Saxophone is a fantastic collection of jazz standards, all arranged for two easy- to intermediate-level players. These jazz duets include music by George Gershwin, Cole Porter, and Dizzy Gillespie, as well as a few originals composed especially for this book. The duets are written for performance by two instruments pitched in the same key, such as a B-flat tenor with a B-flat soprano, or an E-flat alto with an E-flat baritone. The enclosed CD features Greg Yasinitsky playing all the duets, with each part recorded on a separate channel. To play along with the CD, the saxophonist simply turns off one of the stereo channels. A great way to work on jazz concept, phrasing, intonation, and blend, and a fun way to make music with friends! Titles are: Bye Bye Blackbird * A Foggy Day * The Man I Love * But Not for Me * What Is This Thing Called Love * Groovin' High * Fly by Night * Good to Go * Big Sky * Crazy Eights.

Part of the method for all Saxophones by Marcel Mule this third volume of Fifty-Three Studies After Bohem Terschak Fürstenau features the studies 36 to 53. Written for upper intermediate players this book will help the players to maintain the acquired technique and develop even more their flexibility. This series of three books is a must-have to prepare the upper intermediate players to the change of cycle. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality ofsound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou Études' 'Exercices Journaliers d?après Terschack' or '30 Grands Exercices ou Études d?après Soussmann' (in two books) among others.

Guest Spot-Ten Latin hits arranged for intermediate alto sax by Jack Long. Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Hear full performance versions on the tracks 2-11 the saxophonepart is then omitted from tracks 12-21.Includes fingering guide.

Varied Studies in all keys by Marcel Mule (1901-2001) is a set of thirty studies for Saxophone. Initially composed by Jakob Dont Rodolphe Kreutzer Jacques Mazas Niccolò Paganini Pierre Rode among others these Varied Studies in all keys for all Saxophones would fit the skills of advanced-intermediate players. Marcel Mule (1901-2001) is one of the greatest French Saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and therefore of breathing. He wrote different methods that focus on technique articulation and tone productions such as '18 Exercises or Studies' 'Daily Exercises after Terschack' or '30 Great Exercises or Studies after Soussmann' (in two books) among others.

Voici 19 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer le long en utilisant les flûte, clarinette, violon et laiton éditions dans le livre 2 de cette série. Cette série très souple de livres instrumentales coordonnées a été conçue pour donner aux jeunes la chance de jouer ensemble dans diverses combinaisons de chiffres et d'instruments. * Parfait pour un, deux ou trois saxophones - avec ou sans accompagnement * peut aussi servir en respectant les dispositions dans les éditions du livre 2 de cette série pour Flute, clarinette, violon ou de laiton * livre d'accompagnement Piano avec les symboles de corde de guitare disponibles * idéal pour usage individuel ou en classe / Saxophone

Performed by Hal McCusick saxophone Join legendary player Hal McKusick in a pop collection of 16 original student jazz duets for two saxes. You select either 1st or 2nd part in alternation with Hal. Players of early-intermediate or higher levels will love this one! Includes a high-quality printed music book with both parts; and a CD containing accompaniments to both the minus 1st and minus 2nd duet parts.

For intermediate saxophonists this is a superb collection of saxophone trios arranged by O.J. James.

Here are 27 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Clarinet Brass and Violin editions in Junior Book B of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three saxophones - with or without accompaniment May also beused with matching arrangements in Junior Book B editions of this series for Flute Clarinet Brass or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

This Complete method for all Saxophones by Hyacinthe Klosé (1808-1880) has always had a lot of success and has been recognised for its quality worldwide. This new publication, edited by Eugène Gay, a French professor at the Lyon Conservatory, takes into consideration the evolution of the musical pedagogy and highlights the importance of sonority. This method includes studies and exercises for beginners, intermediate and advanced level players with comments and advices Hyacinthe Klosé (1808-1880) is a French Clarinet player, composer and professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Théatre Italien in 1847.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty.All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert.Volume 1 (ED 22553) contains easy pieces which mainly range from d? to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others.Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others.Volume 3 (ED 22942) ? in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire.

This book is the second volume of 20 melodic studies a set of studies composed by the French Composer Louis Blémant (1864-1934). Written for all Saxophones this method sees a progressive difficulty along the books. This second volume contains the studies 11 to 20 and is more adapted for upper intermediate / advanced Saxophonists. Louis Blémant received the Legion d’Honneur and the Prize of Paris Conservatory.